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Ruth Shapiro
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Ruth is an artist, nurse, wife and mother, and not necessarily in
that order. She grew up in New Jersey and graduated from the
University of Michigan. After working in Boston for several years,
she moved to Los Angeles, where she lives with her husband, Sol
Singer. Ruth’s son, Ben, graduated from Stanford, and is
about to begin his second year at Loyola Law School. Her daughter, Lauren, recently graduated from Berkeley, and is now living and working
in Washington DC. Sol, Ben, and Lauren have been supportive,
encouraging, (and at times forgiving) of Ruth’s artistic ventures
over the past 15 years!
Dear Web Site Visitors,
Let me be the first to say, “Welcome to my web site!” Now let me
tell you something about me, so that you may understand my art.
In addition to being a Judaic artist, I work as a part-time nursing
consultant, in the legal field. I have been a registered nurse, in
some very high-powered fields, since 1970. In 1981, I had a serious
accident, which left me unable to continue at my previous pace. In
1984, I went to UCLA Graduate School to take a nursing course, but
was unable to get into the class I wanted. I next went to Santa Monica
Community College to see if they had a similar course, but was instead
drawn to a course called "Lost Wax Casting" in the Adult Evening School.
I didn't have any idea what the subject was, but signed up anyway.
Those 6 classes changed my life! I was hooked on this very old,
exciting method of sculpture and jewelry-making.
At the same time, I had joined the Pomegranate Guild of Judaic
Needlework, again a strange choice for me. While I'd always
liked embroidery and knitting, etc., I'd also hated meetings and
anything so sedentary and slow as a sewing circle! Well, the rich
symbolism and visual stories I saw at the meetings fused with my
new metal-working skills, and my first mezuzzah cases were made and
sold in only a few weeks. Demand grew, and I was pulled along at
a furious pace. I had to pull up any vestiges left of my Jewish
education, and furiously read everything I could find, always just
a step ahead of (or behind) the next project., from mezuzzah to yad,
to menorah to breastplate for the Torah. I took a few adult school
jewelry classes, and added contemporary jewelry to my repertoire.
I’ve taken many workshops in the last 2 years, learning more metalworking
techniques from reknowed artists, but always, Judaica has been my love.
In 1988, I went to Israel to learn techniques from some silver masters,
and to enhance my spiritual development. My work has taken me to
shows and exhibits all over the United Sates. My mezuzzot are in
Israel and Canada as well. A yod of mine even went into space!
Until a few years ago, I always felt that I'd "ride the wave" as far
as it took me; that I was somehow "supposed to be" a Judaic artist. I
would keep at it as long as I could keep creating and keep selling.
Just as I would start to think about other career directions, a new
commission would appear. Just as I think I'll never have another fresh
idea, a dream supplies me with a new mezuzzah and a new technique. Do
I think these events are Divinely created? Of course I do! In the last
year, I've come to believe that I will never be "barren". I also don't
harbor any beliefs in my own "talent". I believe that I am a vessel, and
the spirit of God and creativity flow through the vessel, stay awhile,
and move on. I just have to be there and be ready and open.
In the past 15 years as a Judaic artist, my life has dealt me a few
curves and twists. A car accident here, a broken wrist there, a few
illnesses. Each time, I made some adaptations in my work. Each time,
my work grew in a new, unexpected and better direction. Each time, I
learned some thing I might not have otherwise seen. Was this bashert?
Has my work made me more religious? Yes it has. I now collect the work
of other Judaic artists. Their spirituality enriches mine. The more I learn
in preparing for a project, the more deeply I feel for my religion, and the
more I pass it on to my family. I now celebrate Shabbat, and become
anxious to create anew. When I feel close to God, I pray. Only in my case,
I pray with my hammer, my torch, and my sculptor's tools.
I feel it is a very special gift and privilege to be able to create
decorations for the Torah. I was moved to tears the first time I saw a yod
that I had made, hung on the Torah. The rabbi talked about the rich tradition
of the Torah and the silversmiths who adorned them. He talked about the
generations of Jews who would be proud to display them..(this in no way
implies that the adornments are as important as what they adorn).
I want to thank those who have encouraged me, those who have taught
me, and those who have collected my work! No kidding, if not for you who
have purchased from me, I would not have had the courage or resources
to keep on going in this wonderful field!
I hope this information about me is useful for you. I apologize for its
lengthiness. Please write to me if you have any questions or comments.
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